For me the mysteries-of-the-week could be a little unconvincing and the characters were likeable, without quite rising to the level of complex, multi-dimensional human beings. As mentioned, i heartily applauded the very concept notion of Endgame - it may well be one of the more singular premises for a canadian series in a while. Doyle is good - the cast overall is good (whatever I mayve said about the characters not quite jumping any bars). I also applauded the ethnic pluralism of the cast. Actually, theres one last thing I want to observe about Endgame - not that it really relates to how good or bad it was. But it was a frustratingly soft Canadian series - like they were a little uncomfortable in their mukluks.
It actually puts me in mind of another recently cancelled Canadian series, Shattered. That, too, about seemed to be borrowing the life idea of an on going investigation, complete with a conspiracy wall (or a conspiracy rv) where the hero had tacked up various clues - yet like endgame, there seemed no effort made to actually present anything that. But at least it did provide a solution in time for its final episode, making it more satisfying in retrospect. Still a lot of this is nitpicking. As ive repeatedly said - i kind of liked Endgame. I think its genuinely too bad it got the axe, and, hey, if a fan petition can get the executives to reverse their decision, Ill be happy to see it happen. Indeed, the enthusiasm of the fans is genuinely charming and heartening to see - it kind of makes me wish I liked the series as much as they did! Whats interesting is, of course, how its all perspective. Reading some of the reviews and message board comments at the imdb clearly a lot of viewers loved it - loved the characters while i merely like them, and they praise the sophistication of the series. Of course, its almost a given that fans of any particular show will see it as smarter, more intelligent than all other shows, and blame any premature cancellation on the plebeian tastes of the general audience. I dont think Endgame is dumb - not at all - but Im not sure Id suggest it belongs in the too smart for tv category.
In the thirteenth (and, as fate has it, the final episode) we met a mobster who basically confessed to the murder, barbing but indicated he was working for someone else. Yet in thirteen episodes Im not sure we got a single clue as to the murder - something we could imagine would prove relevant if a final revelation had ever occurred. The us detective series, life, also used the template of a mystery-of-the-week married with an on going investigation - and I sometimes felt that it seemed like they were stretching a bit (cutting away to the heros conspiracy wall of clues and suspects that often. Yet in Life, we still had a gradual unravelling of a mystery - by the end of the nine episode first season alone, many of the puzzle pieces had been filled. While after 13 episodes of Endgame, despite referencing the wifes murder in almost every episode, we had nothing - i cant even hazard the wildest guess as to what might prove the solution, because Im not sure we were told anything (did we even know. Endgames handling of the murdered wife plot, to be honest, sticks in my craw a bit, reflective of much of what I dont like about modern series with their on going story lines. It felt lazy and, frankly, amateurish (not to mention smacking of hubris that they didnt wrap it up by the season finale). Now, with that said, since it was just a sub-plot, it doesnt preclude enjoying the series overall, or watching it in reruns. That mystery will never be solved, but the crimes-of-the-week - the series main point - were (and, as I say, its not like i was genuinely intrigued to see where it was headed anyway).
Sometimes where the true killer isnt even introduced till late in the show because we arent really trying to puzzle out reviews the villains identity as much as were just seeing where the case takes. I would argue endgame is leaning a revelation bit toward the murder, She Wrote idea, with a cast of characters in a usually limited locale (the hotel) who keep interacting throughout the episode. Except Im not really sure theyve put enough effort into trying to make us care about the guest stars as anything more than pieces of the puzzle. They try at times but dont fully succeed. And then we get to the murder of his wife sub-plot. And frankly, it seemed a bit ill-conceived, as though they figured they should have an on going puzzle to thread through the series - but hadnt bothered to actually plot out a mystery. Part of the problem (and perhaps a flaw of the hotel setting) is it seems all very academic - we are constantly being told this happened, and that happened, and maybe this was involved, and so-and-so confessed but maybe was lying and its all off camera! If/when the killer is revealed, we arent really holding out any expectation that he will mean anything to us, other than a name. But more to the point - it was a mystery largely devoid of real clues.
Pippa (Melanie papalia) - the sister of Balagans dead wife, pushing the investigation of her sisters murder - would be an obvious character to milk for some romantic tension (after all, romantic tension needs an obstacle and a plausible obstacle to any unspoken attraction would. Yet if its there. I havent seen. Actually they did do an episode suggesting a certain sexual tension between Balagan and the bartender (played by katharine Isabelle) but it seemed a bit out-of-left-field, as if the writers were just window shopping for a concept, but not really committed. The mysteries themselves can be a bit uneven. Often where theyre not really explaining things they need to explain, or seem to harp on things that are too obviously red herrings, or the solutions are unconvincing. There are two templates for a mystery (well, actually there are dozens, but anyway). One is the traditional Agatha Christie one, best epitomized by tvs Murder, She Wrote in which a mystery is threaded with soap opera-y complications involving the guest stars - episodes ending not just with the revelation of the killer, but estranged siblings patching up their. The other template, more common today, is the procedural, where the guest star characters are basically there just to provide clues, and where our interest is held simply by the rapid fire pacing, as one revelation after another opens a new area of investigation.
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But in Endgame, we didnt really have that. Whether that was a problem with the shred writing, the personality of the characters, or the charisma of the actors, none of the supporting players quite stepped forward to occupy the second chair. Russian chess master Arkady balagan (played by Shawn doyle) was the main show. And though the series was trying to straddle humour and drama, for the most part Im not sure it pushed enough in either direction. I watch a series like castle, and Im laughing. Im more smiling pleasantly.
Likewise, dramatically i didnt quite find it that emotionally gripping - even despite the on going sub-plot involving Balagans murdered wife. I didnt quite get drawn into the characters enough that they clicked with me emotionally. Just as an sidebar, often the cliché in modern series is the romantic tension - the will they/wont they question that can bubble as an undercurrent for many seasons. Yet I didnt really get that in Endgame. Theres no reason they should, of course - lots of series don't. But it relates to my earlier points, both about having a foil for him to play off of, and giving us something to invest in emotionally.
So now that both series first seasons have run, and the fate of one is sealed, while the other will (theoretically) return, i wanted to comment on them. Last time, i made some observations on some of the fan (and anti-fan) reactions. Today im considering the shows themselves, and just offering my thoughts. King is a police procedural about a squad of detectives, run by the brilliant but sometimes difficult Jessica king. Endgame is an amateur detective mystery about a brilliant but sometimes difficult Russian chess player, Arkady balagan, confined to the grounds of a swank hotel due to agoraphobia, who solves puzzling crimes.
As mentioned in my previous piece, endgame seemed to garner the more enthusiastic - even fervent - fandom. Even to the point where a save endgame campaign has been mounted. How likely is its success is, of course, debateable - because, even in the us where such campaigns often occur, it only occasionally leads to a reprieve, because Im not sure in raw numbers how big the campaign is (or would need to be and. Still, reading comments made by fans can really instil in you a sympathetic enthusiasm for the series - indeed, i wish I was seeing in it what those who love. Im just not loving. Endgame had a nice concept and was well acted all around, but the supporting cast never quite became more than a (likeable) supporting cast. A lot of detective series - even (or especially) those with a quirky lead, rely on a give-and-take pairing, some chemistry between the leads.
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No one makes His way to god under his own feeble power, Whoever walks to his lane walks with His feet). Essay_87, a canadian film editorial brought to you. The Great Canadian guide to the type movies. King (Part 2).Which was better? . and the shadow of Wojeck, too! Continuing my post-game analysis relating to the renewal of King and the cancellation of Endgame. Im doing this, in part, because media coverage tends to always be looking to the next thing over the hill, rarely stopping to consider whats current, let alone just past. Most of the coverage of both tv series was when they premiered, the reviews based only on yardage one or two episodes.
The final essay examines the various esoteric meanings and hierarchical levels of divine Unity (tawhid the goal of the sufi path. Excerpt from Sufism i, the literal translation of the Arabic word ma'refat is "knowledge." Although as a technical term in Sufism it bears the same significance, it also implies a knowledge that is preceded by mediation and that allows of no doubt. According to some sufis, ma'refat is comprehension or knowledge of "the thing itself of essential knowledge. In this essay, however, the word is used to mean true knowledge of God. A drop of spray cannot engulf the sea nor can the part comprehend the whole; thus, without doubt, man cannot know God in a way that befits Him. The best proof of this is God's own saying, "They measure not God with His true measure" (Koran, vi: 92; xxxix: 67 and, as the Prophet has said, "We have not known Thee according to Thy true measure.". Of course, with divine help and grace, preparation one may know God's attributes, at least to the extent of one's capacity. However, no one can know God's Essence, his very self, through his own limited selfhood. As 'Ali has said, "I know God by god; i know 'other-than-God by god's light.".
to search for similar patterns and more complex variants, as well as quantifying its statistical likelihood. Some tests purportedly showing statistically significant codes in the bible were published as a "challenging puzzle" in a peer-reviewed academic journal in 1994, and later questioned. Prophets and prophecies index, creation, religion, a-z. Crystalinks home page, psychic reading with ellie 2012 the alchemy of time. Sufism I. Javad Nurbakhsh, this volume contains essays on the three principal concepts in the spiritual method of Sufism. The first essay introduces 'the science of Sufism with definitions and explanations of Sufism selected from the writings of the classical Sufi masters, as well as 53 explanations of the meaning of the term sufi. The second essay explores the sufi concept of knowledge (ma'refat and explains the difference between knowledge imparted through revelation and that accessible to reason.
A second prophetic theme is the fuller coming of a messiah: Christians believe that these messianic prophecies are fulfilled by Christ Jesus, while followers of Rabbinic Judaism still await the arrival of the jewish Messiah and other signs of Jewish eschatology. Most Christians believe many messianic prophecies will be fulfilled with the second Coming of Christ, though some Christians (Full Preterism) believe that all Messianic prophecies have already been fulfilled. Rabbinic Judaism does not separate the original coming of the messiah and the advent of the messianic Age. For details of the differences, see christianity and Judaism. Another major theme concerns the "end times or "last days particularly according to the revelation of John. The bible code, also known as the torah code, is a purported set of secret messages encoded within the hebrew text of the torah. This hidden code has been described as a method by which specific letters from the text can be selected to reveal an otherwise obscured message. Although Bible codes have been postulated and studied for centuries, the subject has been popularized in modern times by michael Drosnin's book the bible code and the movie the Omega code. Many examples have been documented in the past.
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Biblical resumes Prophecies - crystalinks, biblical Prophecies, bible prophecy or biblical prophecy is typically the prediction of future events based on the action, function, or faculty of a prophet. Such passages are widely distributed throughout the bible, but those most often cited are from ezekiel, daniel, matthew 24, matthew 25, and revelation. Believers in biblical prophecy engage in exegesis and hermeneutics of scriptures which they believe contain descriptions of global politics, natural disasters, the future of the nation of Israel, the coming of a messiah and a messianic Kingdom, and the ultimate destiny of humankind. Some prophecies in the bible are conditional, with either the conditions implicitly assumed or explicitly stated. Some prophetic passages are depicted as direct statements from God while other statements are expressed as the privileged perspective of the biblical author considered to be a prophet. The biblical prophets are usually considered to have received revelations from God, subsequently recording them in the relevant writings. Hebrew Bible prophets often warn the Israelites to repent of their sins and idolatries, with the threat of punishment or reward. Blessings and ruinations are attributed to the deity. According to believers in Bible prophecy, many of these prophecies are viewed as having been fulfilled within later passages.