If not, what would change your mind?" see, my tenth grade teacher wanted us to focus in on the famous"s from the play, like "Beware the Ides of March which explains the type of journal prompts he was giving. My teacher wanted us to write quietly, then he wanted to share all of his own personal stories about why he kind of believed in prophecy. I had no problem discussing his area of interest from the play-prophecy-, but years later I can't help but think that we could have had some much richer whole-class, socratic seminars-or heck, even just informal discussions-if we had a choice to a) respond to the. How hard would giving us a choice have been for him? What always struck me as the most interesting thing about that teacher's. Julius caesar unit was that everyone in my class was assigned the exact same essay topic as our summative assessment to the unit; it was something like, "How do the dreams of men and the idea of prophecy shape our thinking about the future?". I truly would have. When I became a teacher many years later, i did what a lot of new teachers do; i emulated the bad practices of my own past teachers.
Reason to, write: Student Handbook, elementary School
On certain days of thesis the week, our teacher would give us a literature-specific writing prompt, and we quietly wrote for 10-20 minutes, pretending we cared about the teacher's prompt about what we were reading. After quietly writing, i don't remember ever talking-as a class or in small groups-about what we had written to manager those prompts; instead, we were "blessed" to hear a lecture about what our long-winded instructor would have written as his response to his own prompt (though. Basically he assigned us a specific prompt, quietly had us write to that prompt while he took care of class business, then-without asking for our input-told us what his thinking based on the prompt he'd provided was. His "journal program" was busy work. Like many traditional teachers, his idea of writing and literature instruction was lecture-driven, not student-centered. We read, julius caesar that year (still one of my favorite plays of all time, by the way! and even back than I found it to be a wonderful, character-driven drama; I mostly loved the character of Cassius, and I re-read his dialogue carefully, trying to understand his rhetorical strategies as he convinced Brutus to kill his friend-caesar-for the good of the government. As we got deeper into the play, i wanted to write about Cassius and Brutus during those 10-20 minutes we were given for our journals, but I couldn't; instead, i was forced to write to our teacher's prompts, which sounded something like -"do you believe. Why or why not? If so, what convinced you?
Copyright 2000 by william. A painter keeps a sketchbook-a place to pencil-sketch persons and objects that might eventually be included long in a painting. A writer's notebook, which all my students record original ideas in daily, serves as a our "painter's sketchbook" for our future writer's workshop pieces. Contact me at with any questions about this page. Tenth grade made me hate journals! Daily, i was forced to maintain a journal in my sophomore English class. I learned to despise that spiral notebook because keeping it seemed so very pointless and very messy. You see, it wasn't my journal; it was more my teacher's than mine.
Sentence-combining: Improving Student Writing owl Without Formal Grammar Instruction. Errors and about Expectations: a guide for the teacher of Basic Writing. New York: Oxford University Press. Creative approaches to sentence combining. Urbana, il: eric and the national council of teachers of English. Lessons to Share on teaching Grammar in Context. About the author, beverly Ann Chin, professor of English at the University of Montana and past-president of the national council of teachers of English (ncte developed the new Grammar for Writing series to help prepare today's secondary students to meet the new standards called for.
"Research roundup: Oral and Written Composition." English journal, 64,. "An Experimental Inquiry into the functions and Value of Formal Grammar in the teaching of Written English to Children Aged Twelve to fourteen.". "Research on Written Composition: New Directions for teaching." Urbana, il: eric clearinghouse on reading and Communication skills and the national Conference on Research in English. "Grammar and Usage.". handbook of Research on teaching the English Language Arts. "Transformational Sentence-combining: a method for Enhancing the development of Syntactic Fluency in English Composition." ncte research Report. National council of teachers of English and the International reading Association. Standards for the English Language Arts. Grammar and the teaching of Writing: Limits and Possibilities.
Of Grammar In Improving Student's Writing
The national content standards for English language arts are based on professional research and best classroom practices. While the standards acknowledge the importance of grammar concepts, they clearly recommend that from students learn and apply grammar for the purpose of effective communication. By embedding grammar instruction in writing instruction, teachers can positively affect students' actual writing skills. National content standards, standard 4: Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes (p. Standard 5: Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes (p.
Standard 6: Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts (p. "By closely observing students' writing processes and carefully reading their work, teachers can see which aspects of language structure are giving students trouble and help them learn these concepts through direct instruction and practice. It is also important for students to discover that grammar, spelling, and punctuation are useful not only in the context of fixing problems or mistakes; they can be studied effectively in a workshop context in which students work together to expand their repertoire of syntactic. When students connect the study of grammar and language patterns to the wider purposes of communication and artistic development, they are considerably more likely to incorporate such study into their working knowledge" (p. References, braddock,., Lloyd-Jones,., schoer,. Research in Written Composition. Urbana, il: National council of teachers of English.
In editing groups, students can exchange papers and look for verbs that often signal the passive voice, such as was and been. When students find these verbs, they read the sentence aloud to their partners and discuss whether the voice is passive and, if so, whether an active voice verb might strengthen the sentence. The student writer can then decide which voice is most effective and appropriate for the writing purpose and audience. Teachers can help students become better proofreaders through peer editing groups. Based on the writing abilities of their students, teachers can assign different proofreading tasks to specific individuals in each group. For example, one person in the group might proofread for spelling errors, another person for agreement errors, another person for fragments and run-ons, and another person for punctuation errors.
As students develop increasing skill in proofreading, they become responsible for more proofreading areas. Collaborating with classmates in peer editing groups helps students improve their own grammar skills as well as understand the importance of grammar as a tool for effective communication. As teachers integrate grammar instruction with writing instruction, they should use the grammar terms that make sense to the students. By incorporating grammar terms naturally into the processes of revising, editing, and proofreading, teachers help students understand and apply grammar purposefully to their own writing. Strategies such as writing conferences, partnership writing, grammar minilessons, and peer response groups are all valuable methods for integrating grammar into writing instruction. How does the teaching of grammar address the national content standards for students? The national council of teachers of English and the International reading Association (1996) published Standards for the English Language Arts, which defines "what students should know and be able to do with language" (p. The twelve content standards are closely intertwined and emphasize the complex interactions among language skills. Standards 4, 5, and 6 most directly address students' ability to write.
Write, source, mla style
In writing conferences, for example, teachers can help students revise for effective word choices. As the teacher and about student discuss the real audience(s) for the writing, the teacher can ask the student to consider how formal or informal the writing should be, and remind the student that all people adjust the level of formality in oral conversation, depending. The teacher can then help the student identify words in his or her writing that change the level of formality of the writing. To help students revise boring, monotonous sentences, teachers might ask students to read their writing aloud to partners. This strategy helps both the partner and the writer to recognize when, for example, too many sentences begin with "It is" or "There are." Both the partner and the writer can discuss ways to vary the sentence beginnings. After presentation the writer revises the sentences, the partner can read the sentences aloud. Then both can discuss the effectiveness of the revision. Teachers can help students edit from passive voice to active voice by presenting a minilesson.
For example, teachers who notice many choppy sentences in students' writing can place these sentences on an overhead for all their students to read. Teachers can then ask different students to combine orally the short sentences in a variety of ways. By participating in oral and written motivate sentence-combining activities, students better understand the ways in which sentence structure, usage, and punctuation affect meaning. When presented as a revising strategy, sentence-combining activities help students identify short, choppy sentences in their own writing, leading them to combine their ideas in more fluid and sophisticated ways. As students generate more complex sentences from shorter ones, they discover how the arrangement of phrases and clauses, for example, affects meaning and its impact on their readers. What strategies can teachers use to teach grammar in the context of writing? Grammar instruction is most naturally integrated during the revising, editing, and proofreading phases of the writing process. After students have written their first drafts and feel comfortable with the ideas and organization of their writing, teachers may wish to employ various strategies to help students see grammatical concepts as language choices that can enhance their writing purpose. Students will soon grow more receptive to revising, editing, and proofreading their writing.
as improve the quality of their sentences, particularly when stylistic effects are discussed as well. Sentence-combining exercises can be either written or oral, structured or unstructured. Structured sentence-combining exercises give students more guidance in ways to create the new sentences; unstructured sentence-combining exercises allow for more variation, but they still require students to create logical, meaningful sentences. Hillocks (1986) reports that in many studies, sentence-combining exercises produce significant increases in students' sentence-writing maturity. Given Noguchi's (1991) analysis that grammar choices affect writing style, sentence combining is an effective method for helping students develop fluency and variety in their own writing style. Students can explore sentence variety, length, parallelism, and other syntactic devices by comparing their sentences with sentences from other writers. They also discover the decisions writers make in revising for style and effect. Teachers can design their own sentence-combining activities by using short sentences from student writing or other appropriate sources.
Teachers should also be sensitive to individual students' readiness to learn and apply grammatical concepts. How does sentence combining improve writing? Sentence combining is the strategy of joining short sentences into longer, more complex sentences. As students engage in sentence-combining activities, they learn how to vary sentence structure in order to change meaning and style. Numerous studies (Mellon, 1969; o'hare, 1973; reviews cooper, 1975; Shaughnessy, 1977; Hillocks, 1986; Strong, 1986) show that the use of sentence combining is an effective method for improving students' writing. The value of sentence combining is most evident as students recognize the effect of sentence variety (beginnings, lengths, complexities) in their own writing. Hillocks (1986) states that "sentence combining practice provides writers with systematic knowledge of syntactic possibilities, the access to which allows them to sort through alternatives in their heads as well as on paper and to choose those which are most apt" (150).
Write : i keep a writer's Notebook alongside
The modern Language Association (MLA) is involved with the study and teaching of revelation language and literature. Mla documentation style is used in many research papers, especially in middle and high schools. Check your Write source text for details. The Write source authors are updating their classic handbooks through. In these revised handbooks, you'll find great models, topics, instruction, and art—all revamped for your 21st century students. Check out these resources: learn more about Writing Handbooks. Learn more about Writing Handbooks. Rather than strive to teach all grammatical concepts to all students, teachers should prioritize and provide instruction on the grammatical elements that most affect their students' ability to write effectively.